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Overview We love music—it's an emotional experience, and for many of us, an obsession. When someone hears the right music at just the right moment, it’s transformational, and that’s precisely why we do what we do. Apple strives to present your content in a clean, pure, and accurate form. We know it takes effort to get it exactly right, but we hope you agree that the results are worth it, both for you and for your fans. With that in mind, we created this reference guide to help you format your music, art, and metadata for the optimal listener experience and discovery. Following these guidelines will make it less likely that we have to return content to you for correction, which means it will get on the iTunes Store and Apple Music—and available to your customers—more quickly. The most critical guidelines to consider when preparing your content for delivery are:.
Artist and artist formatting. Localizations and phonetics.
Asset quality. Clean or explicit classification The following kinds of content may be rejected:.
Misleading content. Sound-a-like artists or performers. Public domain content. Content with legal or rights issues If a certain language isn’t covered in this guide, use the English guidelines and use either title or sentence casing, as long as your casing style remains consistent.
Content Definitions Term Definition Content A song, album, music video, or ringtone Album A collection of tracks Track A song or music video Song An audio recording Music Video A video for a song Artist The primary performer (for example, an individual musician, a duo, or a band) Title The name of a song, album, music video, or ringtone as it appears on the iTunes Store and Apple Music Ringtone A standalone audio recording to be used as a ringtone for iPhone Native Field The native language field for album or track metadata, such as a title or artist name Data Standards and Style Guidelines. The Essentials. 1.1. Use of Apple Inc. Copyrighted Terms. Content that is not produced by Apple Inc.
Must not use Apple trademarks (such as the Apple logo, “Apple Inc.,” or Apple product names such as “iPhone” or “iTunes”) in the cover art or metadata in a manner that makes the content appear to be Apple-branded. Content should not contain advertising. For example, metadata shouldn’t contain references to competitors of iTunes, nor to any URLs, logos, or dates for future product releases. Search terms and keywords should not be included in title metadata. Track Count Limit. Tracks on any album are not to exceed 500.
Editorial Corrections. ITunes reserves the right to correct any errors in grammar, spelling, and punctuation. Languages and Localizations Here are some key considerations for languages and localization usage. Information about, and can be found in sections specific to these languages. The appropriate language must be set in the metadata at the album level. Language codes should match the language of the metadata, not the audio. Track Audio Language.
The appropriate audio language must be set in the metadata at track level. Language code(s) should match the language spoken or sung in the audio. Non-linguistic content should be flagged ‘zxx’. Provide Artist and Title metadata in the primary language you’ve chosen for your content. Provide accurate localizations for all languages you have available, unless you want the metadata to appear in the primary language in all territories.
Side-by-Side Translations. Don’t use side-by-side translations in metadata. Use only one language in each entry or localization. Special Characters.
Do not use emojis or special characters in titles, artist names, lyrics, or other metadata. Editorial Hides To ensure the best possible customer experience, iTunes may hide content from the store for editorial reasons. Unlike tickets, editorial hides can not be fixed by a redelivery or metadata update. Curated Artist.
Content may be hidden using the reason Curated Artist when iTunes has curated an artist’s page, and there are sufficient instances of a song, or catalog available. If delivering public domain content, send only a version created from the original recording source. Do not send duplicate versions of the same content (such as the same album with a rearranged track list, or near-identical greatest hits albums). Compilations may be hidden if they contain tracks that duplicate Mastered for iTunes tracks elsewhere in the store. Compilations may also be removed from the store if we suspect the content is not properly licensed or if the content has no Editorial value, such as “100 Oldies.” Tracks featuring samples that are in the public domain should credit the remixing or sampling artist, not the original sampled artist.
Repeated Submissions. Content may be hidden using the reason: Repeated Submissions if multiple copies of the same content and/or audio files are submitted with a slightly different title and/or artist. Content may be hidden using the reason: Misleading if designed to mislead customers by mimicking popular content or search terms. Cultural Sensitivities. It is the content provider’s responsibility to be knowledgable about local regulations and cultural sensitivities. Content sold must be legal and appropriate for the countries the content is cleared. This content may be hidden using the reason: Refusal.
Nazi Propaganda. Content must not depict Nazi symbolism as restricted by the Strafgesetzbuch section 86a if the content is cleared for sale in Germany (DE), Austria (AT), Switzerland (CH), or any other country that restricts Nazi propaganda. If content violating this rule is submitted three times, your entire catalogue will be suspended in DE, AT, CH, and any other applicable country for up to six months.
Content will be hidden using the reason: Refusal. 1.15. ITunes Store and Apple Music Terms and Conditions. All music submitted to iTunes is bound by the. The iTunes Service may offer interactive features that allow you to submit materials (including links to third-party content) on areas of the iTunes Service accessible and viewable by the public. You agree that any use by you of such features, including any materials submitted by you, shall be your sole responsibility, and shall not infringe upon or violate the rights of any other party.
You also agree that these materials will not violate any laws, contribute to or encourage infringing or otherwise unlawful conduct, or otherwise be obscene, objectionable, or in poor taste. Album Version Information.
Soundtracks and scores must include version information in the album title, enclosed in parentheses or brackets. Version Example Original Motion Picture Soundtrack Interstellar (Original Motion Picture Soundtrack) Original Score Guardians of the Galaxy (Original Score) Music Inspired By the Film Dazed & Confused (Music Inspired by the Film) Original Off-Broadway Cast The Threepenny Opera (Original Off-Broadway Cast) Original Game Soundtrack Dragon Age Inquisition (Original Game Soundtrack) Music from the Original TV Series Cosmos: A SpaceTime Odyssey (Music from the Original TV Series), Vol. The abbreviation for Original Soundtrack (O.S.T.) should not be used as an album or song title version for scores, movies, TV, musicals, or video games. Scores for movies, TV, and musicals must list the composer on both the album and track levels.
Composers with Primary Role. For Soundtracks with one composer, the artists should be credited with both the Composer and Primary role at the album level.
Composers can be credited with the Primary role at track level for any appropriate track. Use of “Meets” or “vs.” For artists using “Meets” or “vs.,” all artists involved must be listed at the track level and identified as Primary. The terms “Meets” and “vs.” must only appear in the album or track title. Track Title In My Dreams (Adrima Meets Vinylshakerz) Adrima EDM Edit Track Artists Adrima (Primary) Vinylshakerz (Primary) Track Title Brute (Ferry Corsten vs. Armin van Buuren) Track Artists Ferry Corsten (Primary) Armin van Buuren (Primary). 6.2.
Primary Artist Designation. When “Meets” or “vs.” is used to describe an album on which two artists perform separate songs, both artists must be listed at the album level and identified as Primary. At the track level, each song must be listed with the primary artist who performs it. When “Meets” or “vs.” is used to describe an album that is a collection of different songs remixed by a single DJ, the mixing DJ must be listed at the album level and identified as Primary with the Remixer role.
The original artists (whose songs are being remixed) must be listed at the track level and identified as Primary. The original artists must not be listed at the album level.
Nonperforming Presenting Artists. A nonperforming, presenting artist must only be named in the title and not credited as an album or track artist. Album Title Lavapalooza (Richard Cheese Presents Johnny Aloha) Album Artist Johnny Aloha (Primary) If the presenting relationship does not apply to every track, the nonperforming presenting artist should be named only in the track titles. Track Title Cold Summer (Young Jeezy Presents U.S.D.A.) Track Artist U.S.D.A. (Primary). 7.2. Performing Presenting Artists.
A performing presenting artist must be credited at the track level and identified as Primary. Track Title Serious Love (Mind Fair Presents 21st Century Fox) The Rhythm Odyssey Mix Track Artists Mind Fair (Primary) 21st Century Fox (Primary) Track Title Electrify (Fabio XB Rework Edit) Lange & Fabio XB Present Yves De Lacroix Track Artists Yves De Lacroix (Primary) Lange (Primary) Fabio XB (Primary). Genres must not be egregiously misclassified (for example, Hip Hop/Rap in place of Children’s Music). For a complete list of acceptable genres, see the iTunes Package Music Specification Addendum: Music, Music Video, and Ringtone Genre Codes in. Not every genre has a genre page in iTunes and the list may change at any time.
You must only select genres from this list, regardless of what language your content may be in (for example, a French hip-hop track should be submitted as Hip Hop/Rap). Genre names are automatically translated for each iTunes Store or Apple Music territory. The first genre listed will be the primary genre and must be the best description for the content. The secondary genre provides an additional search term that may help users find the content. A second genre is not required, but it should be used when applicable. Content will only chart in the first primary genre.
Albums with Latin genres or the Korean Pop genre will chart in both the primary and secondary genres. Genre Specificity. Use the most specific primary genre that applies to your music, such as Pop in Spanish or Tropical, instead of more generic genres such as Latino or Pop. For additional genre rules for Indian content, see section for Bangladeshi, Indian, Nepalese, Pakistani, and Sri Lankan Content.
The original release date can differ from the sales start date. The sales start date is the date an album will be available for purchase in a given territory on the iTunes Store or on Apple Music. Album and track release dates must be the original date when the album or track was first released, regardless of country, or whether it was released digitally versus physically. Note: The original release date for rerecords must be the first date the rerecord was available, and not the release date of the original recording.
Additional versions of an album that are not rerecords (for example, remastered, reissued, or bonus versions) must still be given the original release date for the album and original tracks. Any previously unreleased or bonus tracks should receive the release date of when these were first made available. All Tracks Required. For the digital version of an album, all tracks that exist on the physical version must be delivered and the track numbering must match.
The total track count must be provided in your delivery. Complete Albums Required.
An album is incomplete if it is missing tracks that are available on the physical version (in the same territory). For example, if the physical version of an album has ten tracks, and the version provided to iTunes contains eight tracks, the album is incomplete. On the iTunes Store and on Apple Music, the album will be marked with a Partial flag and the Buy Album button will not be displayed. Explicit Content Flagging. Explicit content must be flagged Explicit with a parental advisory tag. Terms like “(Explicit),” “(Explicit Version),” “(Dirty),” “(Dirty Version),” must not be used for album, ringtone, or track titles.
Clean Version Flagging. Clean versions of audio content with an available explicit version must be flagged Clean to prevent customers from accidentally purchasing the clean version.
Only flag tracks as Clean if there is a corresponding explicit version of the track. Note that terms like “(Clean),” “(Clean Version),” “(Edited),” or “(Edited Version)” must not be used for album, ringtone, or track titles. Deliver the album’s original cover art whenever possible, and don’t use generic art templates. Don’t use art that doesn’t match the album you’re delivering. Images must not be blurry, pixelated, mismatched, misaligned, rotated, incorrect, or have other quality issues. Art must not contain website addresses, logos, or any other reference to competitors of iTunes.
“iTunes” or “Apple Inc.” Art must not contain the words “iTunes” or “Apple Inc.”. 18.5.
Apple Logo or the Term “Exclusive.” Art must not contain the Apple logo or the term “Exclusive” or 'Limited Edition' without prior authorization from Apple. References to Physical Packaging or Retailers. Art must not include references to the physical packaging (for example, CD or cassette) or any other retailers. Digital Product. Art must not include references to it being a digital product. The art must not include references to pricing, including “Reduced Price,” “Low Price,” “Available for $9.99,” or “For Promo Use.”. 18.9.
Art must not contain pornography or a URL for a website that contains or links to pornography. The art must not up-sell to another product.
The art must not be misleading (for example, prominently depicting or referencing an artist even though the artist does not perform on the album). Missing Content. Art must not contain references to content that the album doesn't contain, such as “included DVD” or “includes lyrics.”. Medley Version Information. Medleys are defined as multiple songs woven together and should be separated by a forward slash. Track Titles Over the Moor to Maggie / Fred Finn’s / The Hunter’s House. 19.2.
Snippets and Advertisement Tracks Not Permitted. Snippets are defined as partial segments of songs that are meant to advertise the full-length content.
Advertisement tracks are defined as full or partial songs that contain additional audio meant to advertise the album, individual songs, or other content. Subliminal Content Not Permitted. Content that advertises subliminal audio will not be accepted. Ringtones on Music Albums. Ringtones must be submitted as ringtones, not songs.
Music albums must not include ringtone tracks. Ringtone Information. Albums, artists, or track titles must not include any generic descriptive language such as “Tone,” “Alert Tone,” “Text Tone,” “Ringtone,” “Ringtone Version,” and so on. Karaoke Ringtones. Karaoke ringtones aren’t accepted. Cover Ringtones. Ringtones of cover songs must include the title version “Cover” to eliminate customer confusion.
Classical Music Ringtones. Ringtones of classical music must include the composer in the title. Standard nicknames for classical pieces are accepted. Example: Beethoven: Symphony No. 1 Example: Beethoven: Moonlight Sonata. Music videos must not contain subtitles or lyrics displayed as subtitles.
Lyric Videos. We do not accept official lyric videos in which the lyrics of the song are stylized as the main focus. Music videos must not contain static or scrolling lyrics, nor audio for karaoke. Graphic Overlays. Music videos must not contain chyrons, static or scrolling lyrics, or lower-third graphics. Release Dates or Advertisements.
Music videos must not contain release dates, logos, or advertisements. Nonstandard Music Videos. Music videos that are artist interviews, commentaries, behind the scenes, or similar in content must be bundled with a music album and cannot be sold individually. Music videos must not contain pornography. Promotional Still Image Videos.
Promotional videos (such as videos displaying only the cover art and audio or slide shows) will not be accepted. Teasers, Trailers and Partial Videos. Music videos which have been shortened or edited into a promotional teaser, trailer or partial version will not be accepted.
Music Video Quality. Music videos with poor quality (such as glitches, blurriness, incomplete video or audio, no audio, out of sync audio and video, and so on) will not be accepted.
Explicit Content. Music videos that contain explicit language, nudity, drug references, or depictions of drug use must be marked “Explicit.”. 21.11. Music Videos From Films. Music videos taken from musical films must contain a title version that refers to the film such as (From “Name of Film”). Music Video Album.
An album containing only Music Videos needs to be labeled ' Video Album' in the Album title version. Additional Information. Music videos must not contain the terms “Clips from,” “Official Music Video,” “Full Song Video,” “Full Version,” or other extraneous information. Live Performance Music Videos. Live performance videos must contain only one song (medleys are not accepted) and include the term “Live” in the title version. Territory specific versions (“Ao Vivo” in Portuguese, and “En Vivo” or “En Directo” in Spanish) should be used when applicable. Time and venue must be formatted in the title as “Live at Place, Year/Date.” For example: One More Saturday Night (Live at Palladium, New York, 1977).
To be considered Live, audio and video must match and be from the same performance. Pre-recorded audio set to different performance footage is not considered Live. Release Date.
Music video release dates should be the earliest date a music video was aired on any online video platform, DVD, or TV broadcast. Music Video Cover Art. Music videos must use a screen capture image from the videos for cover art. Other images, such as album cover art, will not be accepted. Inactive Pixels in Music Video Cover Art. Only the active pixel area may be included in music video cover art. Music video cover art must not contain inactive pixels, black bars, or letterboxing on the outer portions of the video frames.
Inactive pixels on the cover art will not be accepted and should be cropped out. Additional Standards and Guidelines for Western Classical Music.
Correct and complete composer information is required for western classical music content. Use of Composer Role. At least one Composer must be provided at both the album and the track level. Unknown Composers. If the album contains selections of unknown authorship, such as a folk song or Gregorian chant, use Anonymous or Traditional as the composer. Misuse of Composer Role.
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Librettists or lyricists must not be assigned the Composer role. Composer as Primary.
Composers may never be marked as Primary unless they are also performing as the soloist, accompanist or conductor. Various Composers. If there are four or more composers on the album, the album-level composer should be Various Composers. Do not list more than three composers at the album level. Do not use Various Composers for one-track singles or if there is only one composer on an album. Classical-Crossover Use the genre Classical Crossover for the following types of music:.
Popular music performed in a classical style. Music from the standard classical repertoire performed in a popular style. Music that isn’t part of the standard classical repertoire but is performed by an artist that primarily works in, or is best known for, classical music. Compilations featuring both non-classical songs as well as standard classical works which are marketed towards a non-classical audience. Artist Roles for Classical-Crossover Content. The same rules regarding composers and primary artists apply to classical crossover albums.
Track Title Formatting for Classical-Crossover Content. Track titles for Classical-Crossover genre content can start with the selection, movement, or popular title of a work. Major work titles and catalog numbers must still be included, but may be presented at the end of the title within parentheses.
Only use this relaxed formatting on classical-crossover albums. For example:. Dance of the Sugar-Plum Fairy (From “The Nutcracker”, Op. 71).
Eine kleine Nachtmusik (First movement from Serenade in G Major, K. 525). Nessun dorma (from the Opera “Turandot”). Flight of the Bumblebee (From the Opera “The Tale of Tsar Saltan”). Moonlight Sonata (First Movement from Piano Sonata No. Artist Names.
Standard artist names and spellings must be used. For additional artist rules for all content, see section 2. Correct Incorrect S.
Balasubrahmanyam SPB K. Chithra Chitra Dr. Balamuralikrishna M Balamurlikrishna K.
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Yesudas Yesudas Pandit Bhimsen Joshi Bhimsen Joshi Bade Ghulam Ali Khan Ghulam Ali. 31.2. Music Directors. All music directors must be listed.
For soundtrack albums, music directors should be listed twice at the album level: as a Performer (Primary) and as a Composer (Not Primary). At the track level, the music director must be listed as Composer (Not Primary). For Indian Classical albums, the music director must be listed with the tracks as Composer (Not Primary). If the album contains selections of unknown authorship, such as folk songs, chants, or devotionals, use Anonymous or Traditional as the composer. Primary Performer Roles. All the main performing artists must be listed as Performer (Primary) on each track.
The composers of soundtracks should be listed as (Primary) at the album level. Singers should be listed as Performers (Primary) at the track level. For non-soundtrack albums, only singers should be listed as Performer (Primary) at the album and the track level. Featuring Performer Roles. Artists, actors, commentators, and so on, can be listed with the Featuring role (Not Primary) for tracks with dialog or spoken word. Lyricists or songwriters should be listed with the Songwriter (Not Primary) or Lyricist (Not Primary) role. Actors should be listed in the Actor role and should not be marked “Primary” for all soundtrack albums.
Actors who do not perform on the track should not be listed. For more information, see section 2. Include All Artists Listed on the Cover Art. All participants listed on the cover art must be included in the metadata with their appropriate roles.
Indian Genres. Indian music must have at least one Indian genre or Indian sub-genre for the album (Primary or Secondary, as applicable).The language-specific genre should be Primary for Indian soundtrack albums. The music-specific genre should be Primary for Indian pop, Indian folk, Indian classical, devotional and spiritual, Sufi, and Ghazals albums. If a secondary genre is required, it is included in the examples below. Soundtrack Albums. Albums with songs from a single movie must include ”(Original Motion Picture Soundtrack)” in the album title.
As noted in, soundtrack album music directors must be listed as Composer and Performer (Primary) at the album level. Music directors for the individual tracks should be listed in the Composer role at the track level. Tamil Soundtrack Field Name Metadata Notes Album Title Maryan (Original Motion Picture Soundtrack) Album Artist A.
Rahman (Primary) Music Director A.R. Rahman (Composer) (Not Primary) Music Director Dhanush (Not Primary) Actor Parvathi (Not Primary) Actor Genres Tamil Primary Genre Soundtrack Secondary Genre Track Title Innum Konjam Naeram Track Artist A. Rahman (Composer) (Not Primary) Music Director Vijay Prakash (Primary) Singer Shweta Mohan (Primary) Singer A. Rahman (Songwriter) (Not Primary) Lyricist Kabilan (Songwriter) (Not Primary) Lyricist Track Title Naetru Aval Track Artist A.